- Lesson Details
- Instructor
- Eric Michael Wilson
- Subjects
- Modeling & Sculpture
- Topics
- Human Figure
- Mediums
- Oil-Based Clay
- Duration
- 10h 8m 50s
In this lesson, master sculptor Eric Michael Wilson demonstrates the entire process of sculpting a third-life scale female figure in clay. In this in-depth and unique lesson no part of the sculpting process will be skipped over or omitted. You will learn everything from working with sculpting tools and clay, to measuring from the life model, to carrying the sculpture to a beautiful refined stage. You will learn the practical, nuts-and-bolts techniques needed to sculpt the figure in clay with confidence and a clear sense of artistic direction.
Materials
- Sculpture House Roma Plastalina Modeling Clay – No. 1
- Aluminum Armature Wire
- Armature Stand
- Veritas Proportional Calipers
- Wooden Tools: Flat, Paddle, Curved
- Metal Scraper
- Rake Tool
- Kemper Tools Ball-End Tool
- Knife
- Palette Knife
- Princeton Paint Brush
- Loop Tool
- Kemper Tools Rubber Kidney Finishing Tool
- Plastic-coated Screen
- Weber Odorless Turpenoid – Turpentine Substitute
- Crescent Wrench
- Side Cutters/Needle-Nose Pliers
Beginner Friendly
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1. Lesson Overview54sNow playing...
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1. An Introduction to Sculpting Tools17m 42sNow playing...
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1. Taking Measurements From the Live Model9m 14sNow playing...
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1. Preparing the Armature and Adding the Initial Clay Layer10m 25sNow playing...
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2. Creating Basic Planes Throughout the Body11m 27s
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3. Shaping the Planes and Building up the Forms of the Legs9m 44s
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4. Creating the Base and Extending the Torso Length11m 19s
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5. Building up the Planes, the Rib Cage and the Head9m 51s
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6. Sculpting the Left Foot Into the Base and Shaping the Legs and Head10m 24s
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7. Blending and Shaping the Forms and Checking Proportions5m 13s
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8. Shaping the Torso and Smoothing Over the Back the Head5m 13s
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9. Taking Measurements and Shaping the Legs Down to the Fee8m 36s
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10. Refining the Rib Cage and the Skull and Developing the Face6m 12s
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11. Adjusting the Scapula and Working Down the Back and the Legs1m 21s
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12. Sculpting a Symmetrical Head8m 0s
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13. Blocking in the Face1m 30s
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14. Adding Features and Forms to the Face1m 29s
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15. Beginning to Refine the Facial Features12m 7s
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16. Inserting Wire Armatures into the Fingers12m 6s
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17. Re-establishing the Primary Planes in Arms12m 3s
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18. Creating the Left Hand and Adjusting the Back of Neck and Shoulders10m 58s
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19. Adding Fullness to the Arms and Shaping the Leg10m 14s
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20. Simplifying the Shapes and Volumes Created9m 37s
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21. Introducing the Sanding Screen9m 28s
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22. Building up the Entire Piece with Small Portions of Clay10m 29s
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23. Blending and Connecting the Muscles of the Leg11m 44s
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24. Developing the Left Leg10m 35s
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25. Introducing the Turpenoid as a Solvent10m 25s
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26. Blending the Forms of the Torso and Arms with the Screen9m 41s
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27. Redefining the Gluteal Region10m 34s
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28. Establishing the Connection of the Legs to the Torso11m 29s
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29. Working into the Back to Define the Rib Cage10m 13s
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30. Shaping the Smaller Forms of the Back9m 37s
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31. Sculpting the Spine into the Back and Neck12m 2s
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32. Touching up the Entire Back Side and Readjusting the Left Arm11m 36s
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33. Fixing the Left Shoulder and Blending the Planes of the left Arm10m 49s
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34. Adjusting the Right Arm and Working into the Right Hand10m 13s
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35. Inserting the Wire into the Fingers of the Right Hand2m 51s
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36. Redefining the Planes of the Fingers10m 43s
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37. Shaping the Finer Characteristics of the Hand12m 31s
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38. Shaping the Right Arm and Blending with Terpenoid9m 46s
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39. Push the Gesture of the Left Hand with Planes11m 55s
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40. Adding Wire to the Fingers of the Left Hand4m 18s
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41. Modeling the Fingers of the Left Hand5m 21s
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42. Finalizing the Forms of the Left Hand11m 41s
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43. Using the Screen to Refine the Figure, Arms, Back, and Torso10m 24s
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44. Redefining the Eyes and the Buttress of the Mouth11m 33s
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45. Shaping the Characteristics of the Mouth11m 9s
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46. Sculpting the Features of the left Ear11m 42s
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47. Blocking in the Main Volume of the Hair11m 44s
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48. Laying in the Secondary Structures of the Hair10m 49s
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49. Modeling the Main Movement of the Hair11m 53s
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50. Modeling the Smaller Forms and Flow of the Hair10m 19s
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51. Blending the Hair with a Brush and Terpenoid10m 12s
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52. Finalizing Minor Forms Around the Sculpture10m 56s
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53. Developing the Secondary Forms of the Feet11m 13s
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54. Creating the Final Forms of the Feet, Lower Legs, and Knees10m 19s
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55. A General Refinement to the Whole Body10m 17s
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56. Detailing the Face10m 10s
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57. Establishing the Smaller Forms of the Body9m 45s
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58. Adding the Smaller Forms of the Body11m 47s
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59. Blending the Planes with the Finer Screen and the Turpenoid9m 58s
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60. Sculpting the Final Finishes11m 0s
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