- Lesson Details
- Instructor
- Ed Fraughton
- Subjects
- Modeling & Sculpture
- Topics
- Head & Portrait
- Mediums
- Oil-Based Clay
- Duration
- 9h 44m 43s
In this video lesson master sculptor Ed Fraughton sculpts a life-size portrait from the model using sulfur-based clay. You will learn how a seasoned master approaches the head including basic anatomical considerations and a logical approach. You will get a unique insight into Ed’s working habits and thought processes as he builds the sculpture from a simple armature into a more developed piece
Materials
- Roma Plastilina Clay
- 2″ x 4″ Wood Scraps
- Screws
- Threaded Dowel
- Large and Small Rake Modeling Tools
- Metal Ruler
- Rubber Mallet
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1. Lesson Overview
42sNow playing... -
1. Building a simple armature
19m 37sNow playing... -
1. Covering the armature with clay
20m 0sNow playing... -
1. The skull – Basic shapes & proportions
16m 41sNow playing...
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2. Working with a model
19m 34s -
3. Understanding anatomy – Bones, muscles
20m 1s -
4. Analyzing facial features
21m 9s -
5. Personalizing the portrait
20m 1s -
6. Importance of the internal structure in refining
20m 4s -
7. Learning how to see
20m 26s -
8. Structural features of the nose, eyes, mouth and ears
18m 47s -
9. Refining facial features
18m 49s -
10. The dynamics of hair
19m 16s -
11. Knowledge vs. Talent
20m 1s -
12. Professional resolve & the virtue of patience
18m 54s -
13. The beauty of anatomy
20m 7s -
14. Anatomy of a smile
20m 23s -
15. Seeing – The magic of smoke and mirrors
20m 8s -
16. The evolution of sculpture
23m 57s -
17. Historical knowledge improves the powers of observation
24m 49s -
18. The big picture – The art of ignoring details
21m 12s -
19. How you treat the model affects your work
23m 52s -
20. Fine arts training – Developing a style - idealism
26m 48s -
21. The philosophy of textures
21m 55s -
22. The slow evolutionary process of refining
21m 11s -
23. Learning to sculpt – A personal mission of perpetual discovery
22m 5s -
24. How philosophy, physiology & biology help understanding
22m 18s -
25. Thinking about the transforming clay into a more permanent material
24m 53s -
26. Summary review of sculpting a portrait in clay
17m 3s
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