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Thanks, Deborah! Making those drawings from the imagination was good for me to see how much I had retained. I’ll look at my later studies and the models and work on the eye sockets, as you suggested. I notice that I’m still struggling with it.
Thank you, Jonathan! Unsplash is a stock photo site with high-quality images free to use. I used to practice using images from there, but now I’m mostly using the references from NMA.
September 23, 2020 at 6:26 am in reply to: Deborah’s 100 Days of People and Perspective Drawing #774121Hi Deborah. As always, I love your study pages. I also really liked how you approached studying the eye a few days ago, and since I’m learning how to draw the eye structure too, your notes gave me useful insights and helped me see the parts more clearly.
You’re doing a great job!Hi Kat, thank you so much for your lovely comment! Those portraits are very special to me.☺
I’m excited to start the oil portrait course as soon as I can take time and arrange some space. I find oils a bit messy to work with, and I feel I have to make a good setup before starting, to make things more practical afterward.So, in the past few days, I did sketch some things for this challenge, drawing the head structure from imagination. However, I thought they turned out quite ugly, and I was embarrassed to show them here 😩. That, added to indisposition due to allergies I’ve been having these days, refrained me from posting.
But after getting a little better in health, I decided to post some of my ugly attempts, as they are also part of this journey.
Day 37,38,39
Those are sketches I made to test an idea. I wanted to make something like a head turn, keeping the features and volume, understanding the forms as 3D elements, and train drawing the same face from imagination in different positions.
In this first attempt, I think the heads were fine individually, but they don’t look from the same person.More “ugly sketches.” 😬😂
Thanks, Deborah! You and Christopher are right; it makes a lot of difference to study on a larger scale. I’m still getting used to it.
I didn’t think it could be so hard, but working larger makes me face the areas I need to understand, and it’s not always a comfortable feeling, but I know its necessary.
Day 36
Today I watched more lessons on structure and made very loose sketches to grasp the concepts.
- This reply was modified 4 years, 1 month ago by Isabella Borges.
- This reply was modified 4 years, 1 month ago by Isabella Borges.
Hi Christopher,
Thank you for your feedback! I loved to read your thoughts on my work here 😊 . It’s been a fantastic experience to do this challenge and receive advice from everyone; it helped me a lot to improve during this time.My goal is to be able to draw all kinds of people and convey life and expression. But I see that I have to slow down a little and really study structure, develop accuracy, draw smaller portions of the body, etc. In the last few days, I went back to drawing things I was more comfortable with, even though I tried to apply the knowledge I gained from drawing the skull. But now, I started to watch some more lessons on construction, to help me see the structure in the face more clearly, and I want to start working on those essential areas I need to.
I also liked your advice regarding the size of my drawings. It was something I noticed before but always went back to drawing small.Day 32
Some sketches where I try to see the structure in the reference images.
Also, I decided to include here the drawing I made for the Instagram challenge. I liked to draw it and how it turned out, even though the reference was quite small.
- This reply was modified 4 years, 1 month ago by Isabella Borges.
- This reply was modified 4 years, 1 month ago by Isabella Borges.
- This reply was modified 4 years, 1 month ago by Isabella Borges.
- This reply was modified 4 years, 1 month ago by Isabella Borges.
Thanks 😊 !
I’m using a pad of ribbed kraft paper. I like its color and the strength of the pages, I can draw on it with charcoal, ink, and gouache for example.
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