Coming from a drawing and sculpting perspective, we usually block out time for each stage. For example, you may practice doing 5 – 30 second gestures and then maybe 5 minutes to work out the forms, then anatomy, etc when you increase the total time per drawing, we typically don’t spend more time on any individual stage. The total amount of time decides what level of finish we achieve rather than how much we rush through it. We still take 30 seconds or so to lay in the gesture. The extra time goes to working in the progressively smaller details
The point is that you work from large to small. So for a sculpture, one approach would be massing out the form, positioning the form with gesture. block in the smaller-major forms, establish and or refining landmarks, convert forms into anatomical forms, refine anatomical form considering tensions, flexion, stretch, weight etc. then consider compression and wrinkles, then fingernails level structures, and then keep working down until you get pores.
I am not a painter, but i would guess you would work similarly. you may start with a drawing, that follows the standard rules, then an under painting, then a block in with paint, keep refining your gradients until you eventually get to hair line glazes if you wish.
Any way, thats my outsiders guess 🙂 I hope its useful
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