I’ve got to comment Lewis how much I enjoy these portraits – particularly the brushwork on the pieces from NMA references (perhaps because I’ve drawn them myself and am familiar with the models). The strokes create this shimmering effect that I find so appealing. How you simultaneously get the modelling, values, colour and brushstroke all working together, on such a small scale, is beyond me!
I hope you’ll post more often and perhaps share something of what/how you’re learning.
CONNECT
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