home › Forums › Challenges & Activities › 100 Day Art Challenge › Nick’s 100 Day Challenge Hands & Figure
- This topic has 126 replies, 6 voices, and was last updated 3 years, 8 months ago by Marcolino Estuardo.
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November 16, 2020 at 8:15 pm #922480
Could be a perspective issue, although I’m definitely guilty of thinner wrists and arms in these. Will keep an eye on it tomorrow.
Day 74
Looong day today, no time in the morning to draw so posting later tonight. Don’t love the 20m figure from today – chose to spend some more time on the proportions of the leg and the torso. I can see how this pose would be good to check some understanding of the abdominal muscles – but I’m not there yet 🙂 practicing simple shadow shapes and draftsmanship.
In other news, we’re moving into a bigger space in the next couple of months – and I’ll have some more dedicated studio space. I signed up for a couple online classes at Gage Academy up in Seattle today which’ll benefit from the dedicated space – can’t wait!
November 17, 2020 at 12:10 pm #926426Light in the back could be massed in shade. 😉
Cool! Have fun in those classes! I assume it’s online? I started posting up my hand/arm studies if you’re interested. Cheers.
November 17, 2020 at 5:32 pm #928083Yep! All online. I’ve seen some figure drawing classes that still meet in person, but the one I signed up for is virtual – will see how that goes. And totally interested, will go check those out!
Day 75
A few days ago I finished my charcoal pencil, and this one is softer – I’ve noticed marks get darker more quickly. I kind of like it for these, since I’m just trying for two values anyway. Wanted to study the foreshortened index finger more today – it seemed so small in the 20 minute drawing. Still does in the study, but it makes a little bit more sense why.
November 18, 2020 at 8:25 am #929237November 18, 2020 at 10:50 am #929429Cool. I like the change in making the figure more angular. Thrust reads better here.
November 19, 2020 at 9:19 am #931090Ha, I think that was mostly from trying to get the angles right without thinking about the shadow shape. I love seeing how mark choices like this influence the design. A comment from (I think somewhere in Steve Huston’s hand lessons) resonated with me, that even realistic rendering like John Singer Sargent’s portraits are stylized to get the idea across rather than just great rendering / observation. I’m sure there’s a more concise way to say that 🙂
Day 77
This was a good one to practice the knuckles and the plane connecting the fingers to the hand. The wrist connection bugged me though, so I spent time measuring the angles more carefully and thinking about the shape of the ulna
- This reply was modified 3 years, 11 months ago by nick.lagrow.
- This reply was modified 3 years, 11 months ago by nick.lagrow.
November 19, 2020 at 11:46 am #931275Yeah, Steve mentions how Sargent may have exaggerated the neck (made it longer) on an old woman to satisfy the commission. Artists are always picking and choosing.
Good job on the interlock of the wrist to hand on the right.
November 20, 2020 at 7:11 pm #934248November 21, 2020 at 2:24 pm #935482November 22, 2020 at 10:58 am #940600November 23, 2020 at 9:56 am #942938November 24, 2020 at 3:45 pm #951271November 25, 2020 at 11:17 am #953000November 26, 2020 at 12:33 pm #954936November 26, 2020 at 3:28 pm #955209Wow, so close! Awesome.
For Day 82, right-most sketch, I like how you have the spine/centerline, but that wrinkle to the left cuts way too long. I know there’s compression, but a nice short indication could help. Also, see it as a gestural/action mark that flows over the mass of the ribcage/scapula.
You’re definitely understanding those block forms that make up the hand. Good stuff.
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